Art-Culture

Apart from Usta art, there are varied forms of miniature paintings that are quite popular. This art came in India with Usta artists from Iran brought by the emperors and flourished in the Mughal period in courts and palaces. A group of seven Usta artists paintings can be seen even today in the rooms of the Junagarh fort. During the British rule, leather goods came in use for embossing. After the emboding, if is painted and gold is applied where ever required. Then the ink is used with a brush made of squirrel hai to fill the design with different colours. The Usta art of Bikaner is world famous for its multidimensional forms like meenakari on camel hide, golden meenakari and painting in Usta is a leading Usta artisan of the state. He has inherited this art form from his forefathers and has created excellent pieces of art displayed on camel hide, stone and metal. Apart from Usta art, there are varied forms of miniature paintings that are quite popular with contributions from eminent artists like shree Mahaveer Swai Ram & Narayan Swami.

  1. Golden Meenakari work on Camel leather is known as Usta Art.
  • The art was developed by Padam Shri Hissayamuddin Usta from Bikaner.
  • Camel hide training Center in Bikaner is an institution for Usta Art.

Lac Works:

LAC, A Resinous substance produced by the female lac insect found in abundance in the forests of Rajasthan, is formed into a variety of jewellery items, chief among them the chudi or bangle. Although all lac jewellery is regarded as propitious and is worn especially on auspicious occasions, lac bangles are also worn to signify that the wearer is married. The bangles are available in a stunning array of colours and are also frequently studded (naqqashi worked) with glass pieces, bright stones, and beads. The traditional bangles are plain and ornamented with Lehriya, wave-like patterns of diagonal lines. Motifs such as the patta (straight lines) or phooldar (floral) are etched onto the surface of multiple layers of many hued lac coats, thus revealing the colour embedded in the initial layers.

  • Sawai madhopur, Laxmangarh (Sikar), Indragarh (Bundi) – Lac work on wooden toys.
  • Jaipur, Hindon, Karauli – Lac bangles.

Mat & Carpet Works: A Carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool but, since the 20th century, synthetic fibers such as polypropylene, nylon or polyester  are often used, as these fibers are less expensive than wool. The pile usually consists of twisted tufts which are typically heat-treated to maintain their structure. The term “carpet” is often used interchangeably with the term “rug”, although the term “carpet” can be applied to a floor covering that covers an entire house, whereas a “rug” is generally no bigger than a single room, and traditionally does not even span from one wall to another, and is typically not even attached as part of the floor.

Carpets are used for a variety of purposes, including insulating a person’s feet from a cold tile or concrete floor, making a room more comfortable as a place to sit on the floor (e.g., when playing with children or as a prayer rug), reducing sound from walking (particularly in apartment buildings) and adding decoration or colour to a room. Carpets can be made in any colour by using differently dyed fibers. Carpets can have many different types of patterns and motifs used to decorate the surface. In the 2000s, carpets are used in industrial and commercial establishments such as retail stores and hotels and in private homes. In the 2010s, a huge range of carpets and rugs are available at many price and quality levels, ranging from inexpensive, synthetic carpets that are mass produced in factories and used in commercial buildings to costly hand-knotted wool rugs which are used in private homes of wealthy families.

Carpets can be produced on a loom quite similar to woven fabric, made using needle felts, knotted by hand (in oriental rugs), made with their pile injected into a backing material (called tufting), flat woven, made by hooking wool or cotton through the meshes of a sturdy fabric or embroidered. Wall-to-wall carpet is distinguished from rugs or mats, which are loose-laid floor coverings, as wall-to-wall carpet is fixed to the floor and covers a much larger area. Child labour has often been used in Asia for hand knotting rugs. The Good Weave labelling scheme used throughout Europe and North America assures that child labour has not been used: importers pay for the labels, and the revenue collected is used to monitor centres of production and educate previously exploited children.

The term “carpet” is often used interchangeably with the term “rug”. Some sources define a carpet as stretching from wall to wall. Another definition treats rugs as of lower quality or of smaller size, with carpets quite often having finished ends. A third common definition is that a carpet is permanently fixed in place while a rug is simply laid out on the floor. Historically, the term “carpet” was also applied to table and wall coverings, as carpets were not commonly used on the floor in European interiors until the 15th century.

Woven-The carpet is produced on a loom quite similar to woven fabric. The pile can be plush or Berber. Plush carpet is a cut pile and Berber carpet is a loop pile. There are new styles of carpet combining the two styles called cut and loop carpeting. Normally many colored yarns are used and this process is capable of producing intricate patterns from predetermined designs (although some limitations apply to certain weaving methods with regard to accuracy of pattern within the carpet). These carpets are usually the most expensive due to the relatively slow speed of the manufacturing process. These are very famous in India, Pakistan and Arabia.

Special Circular Design-These carpets are more technologically advanced. Needle felts are produced by intermingling and felting individual synthetic fibers using barbed and forked needles forming an extremely durable carpet. These carpets are normally found in commercial settings such as hotels and restaurants where there is frequent traffic, Knotte A traditional carpet/rug design in preparation on a carpet loom. On a knotted pile carpet (formally, a “supplementary weft cut-loop pile” carpet), the structural weft threads alternate with a supplementary weft that rises at right angles to the surface of the weave. This supplementary weft is attached to the warp by one of three knot types (see below), such as shag carpet which was popular in the 1970s, to form the pile or nap of the carpet. Knotting by hand is most prevalent in oriental rugs and carpets. Pile carpets, like flat carpets, can be woven on a loom.

The warp threads are set up on the frame of the loom before weaving begins. A number of weavers may work together on the same carpet. A row of knots is completed and cut. The knots are secured with (usually one to four) rows of weft. The warp in woven carpet is usually cotton and the weft is jute.

Antique Rug-Carpet weaving may have been introduced into the area as far back as the eleventh century with the coming of the first Muslim conquerors, the Ghaznavid and the Gauri, from the West. It can with more certainty be traced to the beginning of the Mughal Dynasty in the early sixteenth century, when the last successor of Timur, Babar, extended his rule from Kabul to India to found the Mughal Empire. Under the patronage of the Mughals, Indian craftsmen adopted Persian techniques and designs. Carpets woven in the Punjab made use of motifs and decorative styles found in Mughal architecture.

Akbar, a Mogul emperor, is accredited to introducing the art of carpet weaving to India during his reign. The Mughal emperors patronized Persian carpets for their royal courts and palaces. During this period, he brought Persian craftsmen from their homeland and established them in India. Initially, the carpets woven showed the classic Persian style of fine knotting. Gradually it blended with Indian art. Thus the carpets produced became typical of the Indian origin and gradually the industry began to diversify and spread all over the subcontinent. During the Mughal period, the carpets made on the Indian subcontinent became so famous that demand for them spread abroad. These carpets had distinctive designs and boasted a high density of knots. Carpets made for the Mughal emperors, including Jahangir and Shah Jahan, were of the finest quality. Under Shah Jahan’s reign, Mughal carpet weaving took on a new aesthetic and entered its classical phase. Indian carpets are well known for their designs with attention to detail and presentation of realistic attributes. The carpet industry in India flourished more in its northern part with major centres found in Kashmir, Jaipur, Agra and Bhadohi.

Indian carpets are known for their high density of knotting. Hand-knotted carpets are a speciality and widely in demand in the West. The carpet industry in India has been successful in establishing social business models that help underprivileged sections of the society. Notable examples of social entrepreneurship ventures are Jaipur rugs, Fab India.

Carpet binding” is a term used for any material being applied to the edge of a carpet to make a rug. Carpet binding is usually cotton or nylon, but also comes in many other materials such as leather. Non-synthetic binding is frequently used with bamboo, grass and wool rugs, but is often used with carpet made from other materials.

Key Points:

  • Cotton & Wool are used for making fabric
  • For better quality and strong mattress the thread & knots used for making fabric should be very fine (thin).
  • Carpets are also manufactured in Jaipur & Bikaner jails.
  • Salawas Village of Jodhpur is famous for carpets
  • While carpet manufacturing is enthusiastically followed in Jodhpur, Nagaur, Tonk, Barmer, Bhilwara, Shahpura, Kekri & Malpura.